We laughed our way through a terrific comedy workshop this past Saturday at the Walnut Creek Library with nearly sixty middle school students improvising, writing, and critiquing their way through humor.   There was enough talent in that room to produce several books, a magazine and a sitcom script or two. 

When I asked students to introduce themselves and share a moment of humor, one boy said, “My name is __________ (name protected so he won’t sue me) and I blew up my mother’s laundry room when I was four.”   Turns out the scientific genius was experimenting in his basement, so he wasn’t hurt in the procedure. 

The young man next to him stated, “My name is ___________ and I helped my brother blow up our mother’s laundry room.” 

Unfortunately, I didn’t get a chance to meet the mother.  I wanted to find out what medication she was taking.  Did I mention these boys are available for stand-up?

After this group entertained me and Susie (Sarah Wilson www.sarahwilsonbooks.com ) as they performed a comedic drama improv with such advanced skills I wanted to call Hollywood, we left feeling elated and knew this group would go on to write and tell some very funny stories with the humor techniques we discussed and demonstrated. 

How can you be funny in your own writing? 

Look for humor all around you in your own life. 

Use exaggeration when appropriate.  Timing is important (read all of your work out loud!) and find examples of irony, satire and parody in books and movies so you can incorporate these in your own writing.

Have fun being funny!

1.  Write about a humorous memory from your past.  Read it out loud to make it as funny as it can be.  Remember that short words and short sentences work well in comedy.

2.  Watch http://youtu.be/q1mAGQAw3Oc
and use it to inspire a funny poem or story told in the point of view of a sloth. 

3.  Write a poem or story from the point of view from an object.  Remember to use his or her senses.  What does it really feel like to be this object?  Check to make sure you use action verbs!

http://www.youtube.com/watch?v=SKVcQnyEIT8

Writing Prompt:  Choose an inanimate object.  It could be a toothbrush, a stuffed animal, or an airplane.  Write a story, poem or personal narrative from its point of view.

Over the holidays when my son came home, we drove to Santa Cruz.  While driving on Highway 17, winding through the mountains, the cars ahead of us slowed to a stop.   The sun shone through the trees splattering us with warmth and we rolled down the windows. 

 No sense in grumbling.  We could choose to be unhappy or use our time to have fun. 

 “What’s that on the side of the road?” I asked my husband who was in the driver’s seat.  

“A fishing pole,” he said.  Then he drove closer.  “No wait.  Ha!  Believe it or not – it’s a whip!” 

“Strange,” said my son. 

 We were transported to the past and wondered what it was like in stagecoach days on these mountain paths, with drivers using that whip.  Transportation must have crawled along about at the pace as we were now. 

 “There’s a Frisbee,” I said.  If we took much longer, everyone could turn off their car motors and play a quick game. 

We made up funny stories about how these items came to be on the side of the road.  Soon, we drove by a slightly smashed car being loaded onto a tow truck. 

Now it’s your turn! 

 Writing Prompt:

 Objects we discovered on the side of the road:  

juggling pin, printer cartridge, Frisbee, high heel shoe, straw hat, pink sponge

knee pad, whip

  1. Write one mystery story using all of these objects as clues or even characters.
  2. Write a story about one of these objects.  How did it come to be at the side of the road?  Who is missing it?  Who needs it and why?
  3. Write a story from one of these objects’ point of view.  Create a complete character for this object.  What are its loves, fears, dislikes, enemies, friends? 

 I saw the George Clooney movie Descendents over the Thanksgiving weekend.  It left me in awe of the script writers and actors. If you are interested in any type of writing, this is a MUST SEE movie. Many movies dealing with deep emotions often gloss over them, don’t delve deeply enough into real relationships, or they go for the schmaltz – – the melodrama, without taking time to really connect with the audience.

The IMDB site’s summary of Descendents states: “A land baron tries to re-connect with his two daughters after his wife suffers a boating accident.”

As for the acting, George Clooney is able to show shock, grief, and horror within moments all within his facial expressions and body movements. His daughters, who show their grief and relationship issues in rebellious ways, are also supreme actresses. Shailene Woodley plays his teenage daughter while Amara Miller is Scottie, the elementary-aged youngster.

As a writer I was impressed with the depths of the relationships. Timing is everything. We learn different elements of the plot and as it develops, and the relationships between each of the characters change. This is shown not only through their dialogue and actions, but through the looks they exchange between each other, their gestures, and their body movements. As the strength of their family deepens, our connection to them as an audience becomes stronger.

How can we as authors connect our characters to our readers? Through showing and not telling:   writing with five senses and not generalities. Instead of writing “They loved each other” show this love through dialogue, a specific action that is unique to the characters and can this can be repeated again later. We need to really know who our characters are. We may have to write more about them than we will ever include in the manuscript for publication.

Writing Prompts:

1. Take a notebook and a pen with you when you watch Descendents. Jot down specific notes on what works with this script. Keep your eyes on the screen so you don’t miss a moment. Write messy! When the movie is over, go home or to a cafe and use one of the characters as a basis of a poem.

2. Write about a character as the basis of a scene in a story. Choose a scene they may have not included in the movie. Don’t use any of their dialogue but create your own.

3. Remember these exercises are not for publication, but for our own writing growth and experience. By using a good role model, we can grow a lot within our own writing.

Discover more about the movie here: http://www.imdb.com/title/tt1033575/

Jessica Barksdale Inclan led a fabulous workshop this past Saturday at the Mt. Diablo Branch’s California Writers Club. Here are a few great ideas she shared: 

 If your work is too dark throughout?   Toni Morrison had this problem in her acclaimed novel, Beloved. The author said she “engineered moments of lightness.”

Don’t know where to start?   “Write little pieces and they’ll start talking to each other.”

Why would anyone want to write in second person? It’s good for hiding pain. Read the poem “House of Horrors” by Tom Sayars.

Her best words on plot?  Plot is tension. It’s developed by presenting a promise and then dropping bits and pieces in along the way. Your writing should be like a mystery. Don’t show everything at once.

Current trend: Editors hate prologues.  Call it chapter one!  They hate introductions.  Call it chapter one!

 Writing Prompt:

1.  Read your current project or a piece you have written.  Does the tone provide different feelings/emotions?   There should be a balance of light and dark, highs and lows.  Use Toni Morrison’s advice if there isn’t.

2.  Try writing a poem, essay or short story in second person.  Or take one of the pieces you have written or a character you have developed and try this point of view here.

3.  Read a work you have written and check to see you haven’t told too much too soon.  Is there enough suspense and tension in your writing?  You may have to take away or drop in more hints of mystery to create a better plot.

My husband painted a labyrinth on our deck.  Ah.  Now I can wander and gaze into the open space behind us where tall oaks spread their branches, squirrels scamper and birds sing to the deer. 

Just before Halloween, I took my first meditative stroll.  The sun glinted through the colored leaves, its warmth welcomed me along with the fresh scents of fall; I took a deep breath and began.  

Peace.  One with nature. 

Then a mechanical voice screeched, “A HA HA HA HA!  Happy Halloweeeen!”

I’m jolted out of my calm; my pulse races, and heart beats.  I took a deep breath and tried to refocus.  One more step and . . . .

“A HA HA HA HA!  Happy Halloweeeen!”  it shrieked.

I gritted my teeth.  No matter what I WILL obtain peace.   Another step forward and . . .

“A HA HA HA HA!  Happy Halloweeeen!”

Now my head began to pound. 

Okay.  Let’s get this blasted circular obstacle course over with.  I sped up, and got dizzy.  I noticed each time I stepped toward the right half of the deck, the monster repeated its screeching mantra to me. 

The neighbor’s holiday decoration is motion sensitive

At the end, my head twirled from my too-fast circular run/walk and my eardrums pounded as the monster next door continued its rant. 

I guess we have to get along with people who are very different from ourselves, learn to live with interruptions, and write in spite of lifelong distractions. 

In the midst of the chaos of your life, may you carve out moments of peace.  Go inward, no matter what is exploding around you and find that inner core. 

And write. 

Writing Prompts: 

1.  Go to a very busy place such as an airport, a popular hang-out or cafe.  Sit with a notebook or laptop and write no matter what.  Get in a routine of writing throughout noise around you. 

2.  Write about a chaotic time in your life.  How did you grow or change from this experience?

3.  Choose a character who is living through action and chaos but discovers inner peace.

On Saturday at the California Writers Club, Mt. Diablo Branch, we were treated to a highly entertaining talk by young adult novelist Veronica Rossi, whose book, Under the Never Sky, will be released in January by HarperCollins. Her three-book-deal, which has also been optioned for a movie, is a can’t-wait-for-event!

Veronica filled us in on high concept:  it’s actually a Hollywood term which is an idea that sells itself.    As quoted from James Bonnet: ” . . . it is an intriguing idea that can be stated in a few words and is easily understood by all.” 

Basically, Veronica says, it’s a promise.  As you watch movies, can you state it in a few words?

“Date Night”    What happens when a bored married couple’s date goes very, very wrong?

“Snakes on a Plane”     The title is enough to describe it.

(Disclaimer:  Just because a movie or book is high concept, it doesn’t necessarily mean it’s high quality.)

Writing Prompt: 

Describe your project within 25 words or less.  If your pitch can be short and succinct, you will have a better chance at focusing your writing, whether or not you’ve got a high concept writing idea or not. 

Next, go through your manuscript and make sure you’ve adhered to your pitch. 

How do you write a good pitch?  Veronica says, “Tell us who your hero is, what she is up against, and what is at stake.” 

Remember to add character development, suspense and a terrific voice so that your novel will be a great high concept read.

Last week my regular walking friend was out-of-town, so my husband joined me on my morning walk.   As we made our laps around the track, I searched for the regular dogs who normally greeted me.  Hmm. 

Where was Brownie? Shelby? Lola?  No dog kisses.  No wagging tails of warmth.    After all, they are the real reasons I go out for exercise. 

But then, a beautiful black lab I had never seen before, loped toward us.  His tail wagged,  he ran circles first, as if begging to play.  

“Where’s your mommy and daddy?” I asked as he romped around.

“I’m sure they’re in the parking lot somewhere,” said Bob.  “It seems like that’s where he came from.  They probably let him out to run.” 

But as we walked along, the mystery dog stayed by my side, as though he owned us.

“I think he must have got out,” I said, calling him to me.  He came willingly and I read his collar, which wasn’t so easy to do, as it had faded with time, as my eyesight has done.   “Cocoa!”   I said, which was the first thing I could read from the bone-shaped tag.

He wagged his tail in recognition.   Bob recognized the address as being on the other side of the park and open space.  

“I wish I had a leash with me,” I said. 

Bob heaved a sigh.  Not quite the dog lover as I.  “He probably knows how to get home.”

“But dogs aren’t always good with cars,” I said. 

Next, a small deer, with antlers rising far above his head – – nearly larger than the deer itself – – leaped across the grassy field.   We stopped in awe to watch his graceful dance. But then Cocoa took off after him.

“No!” I shouted.  “Cocoa!”

He ran faster than the deer.

“Stop!” yelled my husband.

Cocoa applied his breaks.  At least someone taught him to obey. 

“Come, Cocoa!”  I clapped my hands and Cocoa came.  The deer bounded up the hill safely.

Close call.

My heart still beat fast.  We walked in silence. 

 I said a silent prayer for a solution, one that would work for both Bob and me.   

It appeared right in front of us in the next moment. 

A man wearing a Hawaiian shirt, with a blonde dog on a leash, came down from a side trail right in front of us on the track.   Cocoa greeted his dog with barks and howls, jumping all over him.

“This dog came to us out of nowhere,” I told this dog owner.  

He shook his head.  “I’ve dealt with him and his owner before.  His owner has a gate with a broken latch but when I’ve returned him, he yelled at me for not calling.  Which I did but he didn’t answer his phone.” 

We all shook our heads this time.  

  He unhooked the leash from his own dog and attached it to excitable Cocoa.  “I’ll return him again,”  said Hawaiian shirt.

“Thank you!” we said. 

The three of them walked away in the direction of Cocoa’s house.  I wondered what Cocoa’s living situation is like.  It doesn’t seem like his owner cares much that he gets out, or that he inconveniences other people.  Does he realize his dog could get hurt or killed?

And then I think about the kids in a friend’s class.  Their parents act in ways like the dog owner.  I’m glad I was raised by parents who cared enough to take time for me. 

Writing Prompt:

1. Take a deeper look at your writing.  Did you fix a problem temporarily where it may crop up again in a later chapter?  Fix any loose holes or leave any strings unattached?

2.  Did you create your characters with depth so that each one rings true?  Does each one have a flaw?  Why do they have this flaw?  What is the worst thing that can happen in your story because of this flaw?  Have you forced your character to confront his or her weakness?

3.  Are you ever presented with a problem in you writing you don’t know how to solve?  If so, ask for the answer.  Write down your question.  Sleep on it.  Mull it over as you take walks, wash the dishes, or mow the lawn.  Sometimes serendipity strikes and your answer will land right in front of you.  But if you want a deeper fix, sometimes you have to dig more deeply into your characters or plot to discover the answer.

Victoria Zackheim gave an outstanding talk at the California Writers Club on Saturday.  Although she spoke on creating anthologies, much of  what she said applies to all writing. 

Which is why it’s so wonderful to attend many genres of authors speak.  Their advice and vision help all writers in ways we don’t realize until we hear them.

Regarding nonfiction books:  “Write the proposal first.  This is a clear idea of what the book is about.  It becomes an outline for you.” 

About any kind of writing:  “Dig deeper.  There’s more to the story.  There’s something  you don’t want to talk about.” 

“Describe your book in thirty words or less. Brevity works.”

Regarding anthologies:  “A community of writers is formed around each book. Now they’re creating their own communities of friends.” 

And when she wrote her introduction for the proposal of the book, 90% became the introduction of the book itself. 

What are editors looking for in an anthology? 

*originality in concept

*new ideas for fiction

*established and up-in coming authors (Not widely published so they can create a platform for them.  This gives hope for everyone!)

*provocative subjects

*ensemble that sparks interest and inspires

Writing Prompt:

1.  Write thirty words on about your book. 

2.  Come up with an idea for an anthology.  You can even do one for fun within your writing group or writing community. 

3.  Read a good anthology, such as He Said What? Women Write About Moments When Everything Changed, edited by Victoria Zackheim.

___________________________________________________________

There’s an article in The New Yorker about saving independent bookstores.  The question is this:  should we?  The point has been made that video stores have disappeared.  There’s no longer a need. Why should there be one for the small  bookstore? 

I’ve had this theory since Amazon and the big chain stores popped up in our towns, closing independent bookstores.  The prices on Amazon (and their unfair no-tax system) can’t be beat.  And today’s society likes to press buttons.  It doesn’t take a rocket scientist to figure out they’d win over the brick and mortar chain stores.

But. 

You know what people thrive on?

A sense of belonging.  Community. 

I sense the time of independent bookstores will be right around the corner.  A few have started popping up here and there.   And many cities have never let theirs die off in the first place.  They still have author readings, book clubs and great book selections. 

So hope, pray, and visit your nearest independent bookstore. 

http://www.newyorker.com/online/blogs/books/2011/09/should-we-fight-to-save-indie-bookstores-1.html#entry-more

I’m working on a big project right now, one that has captured my heart; it came to me in a dream.  It’s taking me some time to get everything in a row.  Research.  Read.  Take notes.  Write my memories.  Interview. 

What a fabulous process.  But it requires a tremendous amount of patience.   Someone once said,  “I want patience, and I want it NOW!”

Writing often feels like that.

‘When will you send it out?” asks a friend who is a writer and accustomed to sending out manuscripts very quickly. 

“It’s not ready yet,” I say.

“When will it be?” she asks. 

I shrug.  “I’ll know when I know.”

I must trust the process. 

“. . . I was taught that the way of progress is neither swift nor easy.”  Marie Curie

___________________________________________________________

And

“When you get serious about the universe, the universe gets serious about you.”  Marianne Williamson

Writing Prompt:

1.  What project are you willing to show patience and perseverance with?  What tweaks your heart and you know you must write it no matter what?  Go ahead, make the committment!  What do you have to lose?  As Sid Fleischman used to say, “Only the paper is wasted.”  Now it’s not even that half of the time. 

2.  One of my friends would say, “But what if it doesn’t sell?”   Do not be concerned with the outcome.  Be focused on your passion and your craft.  Take it step by step.  Or as Anne Lamott says, “Bird by bird.”  Worry about marketing later.  (Yes, you must think of your reader as you write it, but that is different than your focus on selling it.)

Some people are writers, and some people will always plan to write, but something always gets in their way.  Face it.  They will never be up to the risk.  It is only with creativity that one grows and learns.  If you don’t want to write, then don’t.  But don’t whine that you can’t be a writer because you’re too busy.  Yeah.  We all are.  Make a choice.  A committment. 

I know writers who have written at 3 a.m. before their day jobs.  They did it.

So can you.