Losing Your Way in Your Novel
Question: I’m in the middle of writing my novel. Help! I’m stuck. I know what is going to happen later, but I’m not sure how to get there. I’ve lost track of some of my story. What do I do?
Writing a novel with characters and their various problems without a plan is like driving with a flashlight in the fog. It’s exactly how I write. It’s one process. But even if you don’t plot every moment in advance – – and many authors don’t, there are techniques that help us.
After you’ve written scenes or chapters, create a diagram or at least various pages of your threads and subplots. Where do you character’s lives intertwine? How will your symbols re-enter the story?
Mystery author Camille Minichino uses colored markers to help her stay organized. Anne Lammott wrote about stringing a clothesline across her office and clipping important novel notes there. One friend of mine use color-coded cards: one for characters, another for symbols, and a third for subplots. What is my device? I have lists around my office that only make sense to me.
Next, the stuck problem. Once you’ve got a list of characters and their conflicts, you’ll want to increase suspense as much as you can. Prove your main character’s life is filled with emotion and difficulties. Which characters and problems can you throw at your protagonist to reveal depth of your main character with relevance to your plot?
To keep from writing stock characters and bland stories, you won’t create these lists before you write but after your quirky characters have sprung from your creativity.
Writing Prompts:
1. Check your scenes. Do you have a small moment that is memorable? Important truths are found here. Don’t tell them. Show them through the sensory details and the character’s thoughts and actions.
2. Change a scene you already have written into poetry. Use as few words as possible. Next, put it back into prose. How many words do you REALLY need in this scene?
3. Write a chapter where your protagonist has a small epiphany. What has she learned through something she has experienced in the scene?
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